
Wilkie Collins
Short and oddly built, with a head too big for his body, extremely short-sighted, unable to stay still, dressed in colourful clothes, 'as if playing a certain part in the great general drama of life', Wilkie Collins looked distinctly strange. But he was none the less a charmer, befriended by the great, loved by children, irresistibly attractive to women -- and avidly read by generations of readers. Ackroyd follows his hero, 'the sweetest-tempered of all the Victorian novelists', from his childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame and his life-long friendship with the other great London chronicler, Charles Dickens. A true Londoner, Collins, like Dickens, was fascinated by the secrets and crimes -- the fraud, blackmail and poisonings -- that lay hidden behind the city's respectable facade. He was a fighter, never afraid to point out injustices and shams , or to tackle the establishment head on. As well as his enduring masterpieces, The Moonstone -- often called the first true detective novel -- and the sensational The Woman in White, he produced an intriguing array of lesser known works. Collins had his ow
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Short and oddly built, with a head too big for his body, extremely short-sighted, unable to stay still, dressed in colourful clothes, 'as if playing a certain part in the great general drama of life', Wilkie Collins looked distinctly strange. But he was none the less a charmer, befriended by the great, loved by children, irresistibly attractive to women -- and avidly read by generations of readers. Ackroyd follows his hero, 'the sweetest-tempered of all the Victorian novelists', from his childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame and his life-long friendship with the other great London chronicler, Charles Dickens. A true Londoner, Collins, like Dickens, was fascinated by the secrets and crimes -- the fraud, blackmail and poisonings -- that lay hidden behind the city's respectable facade. He was a fighter, never afraid to point out injustices and shams , or to tackle the establishment head on. As well as his enduring masterpieces, The Moonstone -- often called the first true detective novel -- and the sensational The Woman in White, he produced an intriguing array of lesser known works. Collins had his ow











